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Room book cover

Books like Room

What should you read after Emma Donoghue’s novel? It depends on what you loved most about it.

  • Emma Donoghue
  • 2010
  • Literary fiction

What did you love about it?

Choosing one reorders everything below.

Best books to read after Room

Ranked overall. Pick what you loved above to re-rank them.

  1. The Lovely Bones book cover
    Best overall match

    The Lovely Bones

    Alice Sebold

    Another child's voice narrating something no child should have to describe, and another book that spends more time on the family's afterwards than on the crime itself.

    • A five-year-old narrator
    • The outside as the hard part
    • Captivity seen from inside
    • Narrated from an afterlife
  2. The Girl With The Dragon Tattoo book cover
    Worth a look — with a warning

    The Girl With The Dragon Tattoo

    Stieg Larsson

    For the reader who wants the same subject handled as investigation rather than interior life: a woman survives men who confine her, and does something about it.

    • Captivity seen from inside
    • The outside as the hard part
    • Explicit assault on the page
  3. The Fault in Our Stars book cover
    Great match

    The Fault in Our Stars

    John Green

    Green does what Donoghue does: takes a situation designed to be unbearable and finds the ordinary jokes people actually make inside it.

    • A mother's improvised normality
    • A five-year-old narrator
    • YA romance at its centre
  4. The Handmaid’s Tale book cover
    Best for confinement from the inside

    The Handmaid’s Tale

    Margaret Atwood

    Offred narrates a locked room too, and Atwood shares Donoghue's interest in the small routines and private jokes a captive invents to stay a person.

    • Captivity seen from inside
    • A world eleven feet square
    • A mother's improvised normality
    • Political allegory, not one family
  5. We Need to Talk About Kevin book cover
    Worth a look — with a warning

    We Need to Talk About Kevin

    Lionel Shriver

    The other half of Donoghue's subject: Room is about a mother who does everything right, and Shriver's narrator is not at all sure that she did.

    • A mother's improvised normality
    • The outside as the hard part
    • Cold and deliberately unlikeable
  6. Still Alice book cover
    Great match

    Still Alice

    Lisa Genova

    Genova pulls the same trick as Donoghue — trapping you inside a mind whose grasp of the world does not match yours — and refuses to step outside it for relief.

    • A five-year-old narrator
    • A world eleven feet square
    • Captivity seen from inside
    • Illness rather than crime
  7. The Glass Castle book cover
    Great match

    The Glass Castle

    Jeannette Walls

    A childhood that was objectively terrible, remembered by someone who also remembers loving her parents — the same double vision Jack has about Room.

    • A mother's improvised normality
    • A five-year-old narrator
    • The outside as the hard part
    • Memoir, not fiction
  8. A Stolen Life book cover
    Worth a look — with a warning

    A Stolen Life

    Jaycee Dugard

    The real case that hangs behind Room, told by the woman it happened to, including the part Donoghue got right: that being found is where the difficulty starts.

    • Captivity seen from inside
    • The outside as the hard part
    • A mother's improvised normality
    • A real person's abuse, not fiction
  9. The Underground Railroad book cover
    Great match

    The Underground Railroad

    Colson Whitehead

    Whitehead is writing about captivity and the flight out of it, and like Donoghue he knows the escape is a beginning rather than an ending.

    • Captivity seen from inside
    • The escape happens halfway
    • The outside as the hard part
    • Explicit historical brutality
  10. Before I Fall book cover
    Great match

    Before I Fall

    Lauren Oliver

    A life narrowed to one repeating day, which is a lighter cousin of Jack's eleven-foot world: the same claustrophobia, the same slow reassessment of everything in it.

    • A world eleven feet square
    • Objects treated as people
    • YA high-school setting
  11. The Curious Incident of the Dog in the Night-Time book cover
    Best for the narrating voice

    The Curious Incident of the Dog in the Night-Time

    Mark Haddon

    The closest match to what makes Room work: a narrator whose way of describing things lets you see facts he cannot, especially about his own parents.

    • A five-year-old narrator
    • Objects treated as people
    • The outside as the hard part
    • Comic in stretches
  12. The Kite Runner book cover
    Great match

    The Kite Runner

    Khaled Hosseini

    Hosseini writes childhood damage and its adult bill with the same directness, and readers who finished Room in one sitting tend to do the same here.

    • The outside as the hard part
    • A mother's improvised normality
    • Adult narrator looking back
  13. The Book Thief book cover
    Great match

    The Book Thief

    Markus Zusak

    Another book that puts atrocity at a child's height and lets an odd narrating voice carry it, including a person hidden in a room nobody may know about.

    • A five-year-old narrator
    • Objects treated as people
    • Captivity seen from inside
    • Death narrates, with asides

What should you read after Room?

Room by Emma Donoghue works on several levels at once, and which book you should read next depends on which of those levels got you. For most readers the closest match is The Lovely Bones by Alice Seboldanother child's voice narrating something no child should have to describe, and another book that spends more time on the family's afterwards than on the crime itself.

If what stayed with you was captivity seen from inside, read The Girl With The Dragon Tattoo by Stieg Larsson instead: for the reader who wants the same subject handled as investigation rather than interior life: a woman survives men who confine her, and does something about it. The Fault in Our Stars by John Green is the other strong option — green does what Donoghue does: takes a situation designed to be unbearable and finds the ordinary jokes people actually make inside it.

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