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The Lovely Bones book cover

Books like The Lovely Bones

What should you read after Alice Sebold’s novel? It depends on what you loved most about it.

  • Alice Sebold
  • 2002
  • Literary fiction

What did you love about it?

Choosing one reorders everything below.

Best books to read after The Lovely Bones

Ranked overall. Pick what you loved above to re-rank them.

  1. The Fault in Our Stars book cover
    Best overall match

    The Fault in Our Stars

    John Green

    Green does what Sebold does: puts a teenage voice at the centre of a death and refuses to make it either tidy or unbearable. You will cry and be glad you did.

    • Whether the living can let go
    • Narrated by the murdered girl
    • Dreamlike, image-heavy prose
    • No supernatural frame
  2. Room book cover
    Best for the child's-eye narration

    Room

    Emma Donoghue

    Another appalling crime told entirely in a child's vocabulary, which is precisely what makes it bearable and precisely what makes it land. Same trick, tighter frame.

    • Narrated by the murdered girl
    • A family coming apart in slow motion
    • Watching the killer walk free
    • Claustrophobic first half
  3. The Time Traveler's Wife book cover
    Best for love that outlasts a body

    The Time Traveler's Wife

    Audrey Niffenegger

    A love story where one person keeps vanishing and the other keeps waiting, which is roughly what the Salmons do for ten years with better weather.

    • Whether the living can let go
    • A heaven built to personal taste
    • Dreamlike, image-heavy prose
    • Far more romance
  4. We Were Liars book cover
    Great match

    We Were Liars

    E. Lockhart

    A privileged family, a summer that goes wrong, and a narrator you slowly realise cannot be trusted about what happened. It hits the same nerve, faster.

    • A family coming apart in slow motion
    • Dreamlike, image-heavy prose
    • Suburbia in the mid-seventies
    • The twist is the whole engine
  5. Before I Fall book cover
    Great match

    Before I Fall

    Lauren Oliver

    A girl dies on page one and keeps living the day anyway. Same bargain as Susie's: an afterlife that exists mainly so someone can watch what they left behind.

    • Narrated by the murdered girl
    • Whether the living can let go
    • Groundhog Day structure repeats
  6. The Book Thief book cover
    Best for the voice from beyond

    The Book Thief

    Markus Zusak

    Death himself narrates this one, and like Susie he is more tender about the living than they are about each other. The distance is what makes it hurt.

    • Narrated by the murdered girl
    • Dreamlike, image-heavy prose
    • A family coming apart in slow motion
    • Nazi Germany, not Pennsylvania
  7. Everything I Never Told You book cover
    Best for the family aftermath

    Everything I Never Told You

    Celeste Ng

    Opens with a dead daughter and spends the rest of the book on what her parents and siblings had already failed to see. The Salmon house, essentially, in Ohio.

    • A family coming apart in slow motion
    • Whether the living can let go
    • Suburbia in the mid-seventies
    • No afterlife, no killer
  8. The Secret Life of Bees book cover
    Great match

    The Secret Life of Bees

    Sue Monk Kidd

    A girl carrying a mother-shaped hole finds a household willing to hold her. Sebold's ache, but pointed toward repair rather than the crime.

    • Whether the living can let go
    • A family coming apart in slow motion
    • Much gentler throughout
  9. The Nightingale book cover
    Worth a look — with a warning

    The Nightingale

    Kristin Hannah

    Two sisters, occupied France, and losses that keep arriving. If what you wanted from Sebold was the sustained ache of a family enduring, this delivers it at length.

    • A family coming apart in slow motion
    • Whether the living can let go
    • War novel, not domestic
  10. If I Stay book cover
    Great match

    If I Stay

    Gayle Forman

    A girl hovers outside her own body after the crash and listens to everyone decide what she means to them. Susie's vantage point, compressed into one hospital night.

    • Narrated by the murdered girl
    • A family coming apart in slow motion
    • A heaven built to personal taste
    • Very slight, read in an evening
  11. The Ocean at the End of the Lane book cover
    Best for the strange afterlife logic

    The Ocean at the End of the Lane

    Neil Gaiman

    Gaiman does what Sebold does with heaven: builds a private otherworld out of one person's memory and refuses to explain the rules. It works better unexplained.

    • A heaven built to personal taste
    • Dreamlike, image-heavy prose
    • Narrated by the murdered girl
    • Under 200 pages
  12. My Sister's Keeper book cover
    Worth a look — with a warning

    My Sister's Keeper

    Jodi Picoult

    Picoult builds a family around one dying child and lets every member narrate their own version of the damage. Same architecture, courtroom instead of cornfield.

    • A family coming apart in slow motion
    • Whether the living can let go
    • Legal procedural in the middle
  13. Mister Pip book cover
    Worth a look — with a warning

    Mister Pip

    Lloyd Jones

    A girl on a war-torn island survives on borrowed stories, then meets violence that the book does not soften. Quiet, then brutal, in Sebold's exact pattern.

    • Dreamlike, image-heavy prose
    • Watching the killer walk free
    • Whether the living can let go
    • One scene is genuinely brutal

What should you read after The Lovely Bones?

The Lovely Bones by Alice Sebold works on several levels at once, and which book you should read next depends on which of those levels got you. For most readers the closest match is The Fault in Our Stars by John Greengreen does what Sebold does: puts a teenage voice at the centre of a death and refuses to make it either tidy or unbearable. You will cry and be glad you did.

If what stayed with you was narrated by the murdered girl, read Room by Emma Donoghue instead: another appalling crime told entirely in a child's vocabulary, which is precisely what makes it bearable and precisely what makes it land. Same trick, tighter frame. The Time Traveler's Wife by Audrey Niffenegger is the other strong option — a love story where one person keeps vanishing and the other keeps waiting, which is roughly what the Salmons do for ten years with better weather.

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