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And Then There Were None book cover

Books like And Then There Were None

What should you read after Agatha Christie’s novel? It depends on what you loved most about it.

  • Agatha Christie
  • 1939
  • Classic mystery

What did you love about it?

Choosing one reorders everything below.

Best books to read after And Then There Were None

Ranked overall. Pick what you loved above to re-rank them.

  1. The Silent Patient book cover
    Best overall match

    The Silent Patient

    Alex Michaelides

    Michaelides builds an entire novel on the trick Christie perfected here: withhold one fact, reveal it late, and watch every earlier page change meaning.

    • A solution you can't guess
    • A killer among the guests
    • Thin characters outside the puzzle
  2. Gone Girl book cover
    Best for private justice

    Gone Girl

    Gillian Flynn

    Flynn's subject is the same as Christie's here: people deciding, privately, what someone deserves. She just gives the judge a voice and lets her explain.

    • Punishment outside the law
    • Guilt nobody will admit to
    • A solution you can't guess
    • Two people, not ten
  3. The Girl on the Train book cover
    Worth a look — with a warning

    The Girl on the Train

    Paula Hawkins

    Three narrators, one of whom cannot remember the night that matters. The pleasure is the same one Christie offers: watching a picture assemble from unreliable pieces.

    • A solution you can't guess
    • Paranoia inside a locked house
    • Guilt nobody will admit to
    • Every narrator is unpleasant
  4. The Da Vinci Code book cover
    Worth a look — with a warning

    The Da Vinci Code

    Dan Brown

    Kept here for the clue-chain pleasure: a coded message leading to the next coded message, with a chapter break every four pages to keep you turning.

    • A solution you can't guess
    • A nursery rhyme counting down
    • Prose is famously clunky
  5. The Secret History book cover
    Best for guilt nobody admits

    The Secret History

    Donna Tartt

    A closed group who have done something unforgivable and must live in each other's company afterwards. The suspense comes from watching the guilt eat them.

    • Guilt nobody will admit to
    • Punishment outside the law
    • Paranoia inside a locked house
    • You know the killers immediately
  6. The Woman in Cabin 10 book cover
    Best for the closed circle

    The Woman in Cabin 10

    Ruth Ware

    A luxury cruise with a fixed guest list and a passenger nobody will admit existed. Ware writes closed-circle suspense the modern way, with the walls just as close.

    • Ten strangers, one island
    • Paranoia inside a locked house
    • A killer among the guests
    • Narrator's reliability is the point
  7. In the Woods book cover
    Worth a look — with a warning

    In the Woods

    Tana French

    French takes the buried-guilt engine of Christie and runs it on psychology instead of plot mechanics; the detective's own past is the case he cannot solve.

    • Guilt nobody will admit to
    • A solution you can't guess
    • One thread is deliberately left unsolved
  8. The Chalk Man book cover
    Best for the coded countdown

    The Chalk Man

    C.J. Tudor

    Chalk figures left as messages, then a body, then thirty years of silence. It borrows Christie's trick of a killer signposting the murders in a language nobody reads in time.

    • A nursery rhyme counting down
    • Guilt nobody will admit to
    • A killer among the guests
    • Two timelines to track
  9. Big Little Lies book cover
    Best for a lighter tone

    Big Little Lies

    Liane Moriarty

    A small community, a death withheld until the last act, and everyone politely lying. It has Christie's shape with the murderous gloom swapped for social comedy.

    • Guilt nobody will admit to
    • A killer among the guests
    • Ten strangers, one island
    • Domestic drama first, mystery second
  10. The Couple Next Door book cover
    Great match

    The Couple Next Door

    Shari Lapena

    A handful of neighbours, a missing baby, and a plot that keeps moving the guilt around the table. Pure mechanism, no fat, read in an evening.

    • A killer among the guests
    • Guilt nobody will admit to
    • Flat, functional prose
  11. Rebecca book cover
    Best for the atmosphere of dread

    Rebecca

    Daphne du Maurier

    An isolated house, a household full of people who know something you don't, and a slow certainty that a crime is being covered up under everyone's manners.

    • Paranoia inside a locked house
    • Guilt nobody will admit to
    • Punishment outside the law
    • Romance drives the plot
  12. The Hound of the Baskervilles book cover
    Great match

    The Hound of the Baskervilles

    Arthur Conan Doyle

    The other pillar of the English country-house mystery: a family curse, a handful of neighbours who all have reasons, and a moor that swallows people.

    • A killer among the guests
    • Paranoia inside a locked house
    • A solution you can't guess
    • Holmes solves it for you
  13. The Murder of Roger Ackroyd book cover
    Best for a solution you can't guess

    The Murder of Roger Ackroyd

    Agatha Christie

    Christie's other great structural trick, and the only one that rivals this book's. If you loved being outmanoeuvred by an author playing fair, go here next.

    • A solution you can't guess
    • A killer among the guests
    • No detective to save you
    • Poirot is on the case
  14. The Lost Man book cover
    Great match

    The Lost Man

    Jane Harper

    A man dies within sight of his own car in the Australian outback, and the suspects are his brothers. Isolation does the work the island does here.

    • Ten strangers, one island
    • Guilt nobody will admit to
    • Paranoia inside a locked house
    • Quieter, more melancholy

What should you read after And Then There Were None?

And Then There Were None by Agatha Christie works on several levels at once, and which book you should read next depends on which of those levels got you. For most readers the closest match is The Silent Patient by Alex Michaelidesmichaelides builds an entire novel on the trick Christie perfected here: withhold one fact, reveal it late, and watch every earlier page change meaning.

If what stayed with you was punishment outside the law, read Gone Girl by Gillian Flynn instead: flynn's subject is the same as Christie's here: people deciding, privately, what someone deserves. She just gives the judge a voice and lets her explain. The Girl on the Train by Paula Hawkins is the other strong option — three narrators, one of whom cannot remember the night that matters. The pleasure is the same one Christie offers: watching a picture assemble from unreliable pieces.

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