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The Handmaid’s Tale book cover

Books like The Handmaid’s Tale

What should you read after Margaret Atwood’s novel? It depends on what you loved most about it.

  • Margaret Atwood
  • 1986
  • 325 pages
  • Dystopian fiction

What did you love about it?

Choosing one reorders everything below.

Best books to read after The Handmaid’s Tale

Ranked overall. Pick what you loved above to re-rank them.

  1. The Giver book cover
    Best overall match

    The Giver

    Lois Lowry

    The same trick played gently: a society that solved suffering by deleting choice, and one person handed the memory of everything it threw away.

    • Memory of the world before
    • Scripture used as law
    • A woman rented for her womb
    • Written for younger readers
  2. The Road book cover
    Worth a look — with a warning

    The Road

    Cormac McCarthy

    If what held you was Offred's flat, careful voice describing unbearable things, McCarthy does the same at a lower temperature and with nothing left to lose.

    • Memory of the world before
    • Small acts of contraband
    • Bleaker, with no institutions to blame
  3. The Maze Runner book cover
    Worth a look — with a warning

    The Maze Runner

    James Dashner

    Another closed system with rules nobody explains and a newcomer piecing them together, though here the puzzle is literal and the prose does not linger.

    • Scripture used as law
    • How fast it all happened
    • Action plot, not interior life
  4. Brave New World book cover
    Best for reproduction as state policy

    Brave New World

    Aldous Huxley

    Huxley got there first on the same question: who owns the birth rate. His state manufactures children in bottles rather than assigning them to wives.

    • A woman rented for her womb
    • Scripture used as law
    • Women policing other women
    • Satirical rather than intimate
  5. Fahrenheit 451 book cover
    Great match

    Fahrenheit 451

    Ray Bradbury

    A regime that burns the written word, told by someone inside the machinery who starts smuggling. Offred's stolen Scrabble tiles have a cousin here.

    • Small acts of contraband
    • Memory of the world before
    • Scripture used as law
    • Male protagonist, fewer bodies at stake
  6. The Hunger Games book cover
    Great match

    The Hunger Games

    Suzanne Collins

    State violence staged as ritual, with a young woman surviving by performing exactly what is expected of her. Gilead's Ceremony has a televised sibling.

    • A woman rented for her womb
    • Scripture used as law
    • Women policing other women
    • YA pacing, plot over atmosphere
  7. 1984 book cover
    Best for the machinery of control

    1984

    George Orwell

    The standard against which Gilead gets measured, and Atwood measured it deliberately: surveillance, an official language, and a private rebellion the state is patient about.

    • Scripture used as law
    • A final chapter that reframes it
    • How fast it all happened
    • Colder, more argumentative
  8. Never Let Me Go book cover
    Best for a body owned by the state

    Never Let Me Go

    Kazuo Ishiguro

    Ishiguro's narrator also recounts a life spent as a resource, in the same mild retrospective tone that makes you do the outrage on the book's behalf.

    • A woman rented for her womb
    • Memory of the world before
    • A name that belongs to a man
    • Almost no resistance in it
  9. Station Eleven book cover
    Best for memory of the world before

    Station Eleven

    Emily St. John Mandel

    Half of this novel is people remembering electricity and aeroplanes with the same ache Offred spends on hand lotion and her own name.

    • Memory of the world before
    • How fast it all happened
    • Small acts of contraband
    • Collapse, not a regime
  10. Oryx and Crake book cover
    Best for more Atwood

    Oryx and Crake

    Margaret Atwood

    Atwood running the same engine on a different fuel: corporate biotech instead of theocracy, one survivor narrating, the collapse reconstructed from before and after.

    • How fast it all happened
    • Memory of the world before
    • Colder, more satirical
  11. Animal Farm book cover
    Great match

    Animal Farm

    George Orwell

    The fastest lesson available in how a stated principle gets edited overnight and everyone agrees it always read that way. Gilead's scripture works the same.

    • Scripture used as law
    • How fast it all happened
    • Women policing other women
    • A fable, not a novel of interiority
  12. We book cover
    Best for the original blueprint

    We

    Yevgeny Zamyatin

    The book Orwell and Huxley both read first: a glass city, citizens with numbers instead of names, and a diarist coming apart on the page.

    • A name that belongs to a man
    • A woman rented for her womb
    • Scripture used as law
    • 1921 modernist prose, hard going
  13. A Clockwork Orange book cover
    Worth a look — with a warning

    A Clockwork Orange

    Anthony Burgess

    Also about a state that decides what a body is for, told in a voice you have to learn. The argument overlaps; almost nothing else does.

    • A final chapter that reframes it
    • A name that belongs to a man
    • Sustained sexual violence, narrated gleefully

What should you read after The Handmaid’s Tale?

The Handmaid’s Tale by Margaret Atwood works on several levels at once, and which book you should read next depends on which of those levels got you. For most readers the closest match is The Giver by Lois Lowrythe same trick played gently: a society that solved suffering by deleting choice, and one person handed the memory of everything it threw away.

If what stayed with you was memory of the world before, read The Road by Cormac McCarthy instead: if what held you was Offred's flat, careful voice describing unbearable things, McCarthy does the same at a lower temperature and with nothing left to lose. The Maze Runner by James Dashner is the other strong option — another closed system with rules nobody explains and a newcomer piecing them together, though here the puzzle is literal and the prose does not linger.

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