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White Oleander book cover

Books like White Oleander

What should you read after Janet Fitch’s novel? It depends on what you loved most about it.

  • Janet Fitch
  • 1999
  • Literary fiction

What did you love about it?

Choosing one reorders everything below.

Best books to read after White Oleander

Ranked overall. Pick what you loved above to re-rank them.

  1. The Secret Life of Bees book cover
    Best overall match

    The Secret Life of Bees

    Sue Monk Kidd

    A girl without a mother is taken in by women who are better at it, in the same hot, sensory prose, arguing the same case about who actually raises you.

    • Women who fail her differently
    • Sentences like poetry
    • A daughter becoming an artist
    • Warmer and more redemptive
  2. Girl, Interrupted book cover
    Great match

    Girl, Interrupted

    Susanna Kaysen

    Kaysen's cool, watchful account of being a young woman placed in other people's custody sits close to Astrid's habit of studying every room she is put in.

    • Growing up without protection
    • One foster home after another
    • Sentences like poetry
    • Memoir, and fragmentary
  3. The Bell Jar book cover
    Best for the sentences

    The Bell Jar

    Sylvia Plath

    Plath's novel is the pressure system Fitch's book grew out of: a young woman's mind rendered in images so good they hurt, with nobody able to help.

    • Sentences like poetry
    • Growing up without protection
    • Women who fail her differently
    • The fifties, no foster care
  4. The Glass Castle book cover
    Best for the true version

    The Glass Castle

    Jeannette Walls

    Walls actually lived a version of Astrid's childhood — brilliant, negligent parents and no safety anywhere — and reports it without a shred of self-pity.

    • Growing up without protection
    • A mother who poisons everything
    • One foster home after another
    • Memoir, much plainer prose
  5. The Lovely Bones book cover
    Worth a look — with a warning

    The Lovely Bones

    Alice Sebold

    The same era, the same appetite for beauty laid over something terrible, and a family that cannot reassemble itself. The narration is the leap you must take.

    • Sentences like poetry
    • Growing up without protection
    • Los Angeles as a character
    • Narrated from the afterlife
  6. The Catcher in the Rye book cover
    Great match

    The Catcher in the Rye

    J.D. Salinger

    Here for the voice rather than the plot: an adolescent narrator who sees straight through every adult in the room and has nowhere safe to put that.

    • Growing up without protection
    • One foster home after another
    • A daughter becoming an artist
    • A boy, fifties New York
  7. Speak book cover
    Worth a look — with a warning

    Speak

    Laurie Halse Anderson

    Anderson's narrator makes art because she cannot make sentences, which is Astrid's exact method, compressed into one short and ferocious school year.

    • A daughter becoming an artist
    • Growing up without protection
    • Sentences like poetry
    • Rape and its aftermath
  8. The Poisonwood Bible book cover
    Best for the parent question

    The Poisonwood Bible

    Barbara Kingsolver

    Four daughters and a father whose convictions wreck them, told in voices that never agree. The same interrogation of a parent's damage, on a continental scale.

    • A mother who poisons everything
    • Sentences like poetry
    • Women who fail her differently
    • The Congo, 1959, and political
  9. The Virgin Suicides book cover
    Great match

    The Virgin Suicides

    Jeffrey Eugenides

    Suburban girls destroyed by the adults meant to keep them safe, in prose every bit as gorgeous and as unnerving as Fitch's. Very short, very strange.

    • Sentences like poetry
    • Growing up without protection
    • A mother who poisons everything
    • A collective 'we' narration
  10. The Color Purple book cover
    Great match

    The Color Purple

    Alice Walker

    Letters from a girl with nobody, passed between households, who eventually writes her way into a self. The severest version of Astrid's arc.

    • Growing up without protection
    • Women who fail her differently
    • A daughter becoming an artist
    • Epistolary, in dialect
  11. The Joy Luck Club book cover
    Best for mothers and daughters

    The Joy Luck Club

    Amy Tan

    Four pairs of mothers and daughters misunderstanding each other, some of it accidental and some of it not. Less violent than Fitch, as unsparing about inheritance.

    • Women who fail her differently
    • A mother who poisons everything
    • Letters from prison
    • An ensemble, no single heroine
  12. Bastard Out of Carolina book cover
    Worth a look — with a warning

    Bastard Out of Carolina

    Dorothy Allison

    Allison writes a girl failed by every adult around her in language as beautiful as Fitch's and considerably harder to sit through. The closest match, and the toughest.

    • Growing up without protection
    • A mother who poisons everything
    • Sentences like poetry
    • Explicit child abuse
  13. We Were Liars book cover
    Great match

    We Were Liars

    E. Lockhart

    The young-adult reading of the same material: a girl, a family that damages politely, and a summer she has to reconstruct. Faster and much less bleak.

    • Sentences like poetry
    • Growing up without protection
    • Women who fail her differently
    • Thriller structure with a twist

What should you read after White Oleander?

White Oleander by Janet Fitch works on several levels at once, and which book you should read next depends on which of those levels got you. For most readers the closest match is The Secret Life of Bees by Sue Monk Kidda girl without a mother is taken in by women who are better at it, in the same hot, sensory prose, arguing the same case about who actually raises you.

If what stayed with you was growing up without protection, read Girl, Interrupted by Susanna Kaysen instead: kaysen's cool, watchful account of being a young woman placed in other people's custody sits close to Astrid's habit of studying every room she is put in. The Bell Jar by Sylvia Plath is the other strong option — plath's novel is the pressure system Fitch's book grew out of: a young woman's mind rendered in images so good they hurt, with nobody able to help.

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